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Panel prompts:
  1. #1“Sophia Reyes — 17, Filipino-American, shoulder-length dark wavy hair, warm brown eyes, soft cream sweater under denim jacket. Cole Mercer — 17, lean lacrosse build, shaggy medium-brown hair, hazel eyes, gray crewneck reading "WESTBOROUGH LACROSSE". Maddie Mercer — 12, single long brown braid, wide curious eyes, oversized t-shirt. Mrs. Mercer — kind suburban mom mid-40s, floral apron, warm smile. Mr. Mercer — friendly suburban dad mid-40s. Setting: two-story New England suburban home at end of a ”
  2. #2“Full-bleed caption page, no characters. Soft cream-colored background with hand-painted watercolor texture. Large hand-lettered black caption text centered: "Four years ago, Sophia Reyes told Cole Mercer she hoped his entire life burned down." A single dried copper-orange maple leaf in the lower-right corner.”
  3. #3“Same hand-painted cream background. Caption text centered: "Tonight, she was about to sleep in his guest room." Below it, in smaller italic hand-lettered text: "She didn't know that yet." A second copper maple leaf joins the first in the lower-right corner.”
  4. #4“Cinematic exterior wide shot at dusk: a black Toyota rideshare car driving down a quiet two-lane Massachusetts highway lined with maple trees in copper and rust October foliage. Long shadows. Soft purple-gray twilight sky. Lonely mood. No characters visible from outside.”
  5. #5“Interior of the rideshare car. Sophia (Filipino-American teen, shoulder-length dark wavy hair, soft cream sweater under denim jacket) presses her forehead against the cold passenger-side window. Her warm brown eyes are unfocused, looking through the glass at blurred copper trees streaking past. A single small suitcase rests at her feet. Caption box at the top: "The Uber had been silent for twenty minutes." Mood: melancholic isolation. Soft amber dashboard glow on her face.”
  6. #6“Same Uber interior. Front-seat angle showing the back of the driver's head and a glimpse of Sophia in the back seat, still facing the window. Speech bubble from the driver: "This your first time out here?" Speech bubble from Sophia, not turning to him: "My parents got placed in Singapore for the year. I'm a senior. They couldn't pull me out."”
  7. #7“Tight three-quarter close-up of Sophia in the Uber. Her eyes still on the window, jaw set, exhausted. Speech bubble from the off-panel driver: "So you came alone?" Her speech bubble, quiet and final: "I came alone." Caption box at the bottom in smaller italic text: "He nodded like he understood. He didn't."”
  8. #8“Wide cinematic establishing shot of the Mercer house — a two-story New England suburban home with white clapboard siding, a wooden porch, and warm yellow windows lit from within. The house sits at the end of a ****-de-sac lined with maple trees in copper and rust October foliage. Late afternoon golden light. A black rideshare car is just pulling away from the curb. One small suitcase sits on the curb beside a lone figure.”
  9. #9“Medium shot of Sophia (Filipino-American teen, dark wavy hair, denim jacket) standing on the sidewalk beside her single suitcase. The Uber's tail lights recede in the background. She's looking up at the lit-up suburban house. Wind tugs her hair. Copper maple leaves swirl around her ankles. Caption box: "They had not said his name."”
  10. #10“Sophia on the wooden porch of the Mercer house, suitcase beside her. Her finger pressed to the lit doorbell. Her face is composed but her shoulders are tense. Warm interior light spills through the frosted glass panel beside the door. October evening. Soft watercolor wash on the autumnal porch.”
  11. #11“Tight close-up of Sophia's face from behind the open doorway, looking forward. Her warm brown eyes go wide with recognition and shock. Her lips part. The faintest hint of warm interior light catches her cheek. Mood: stomach-dropping recognition.”
  12. #12“Reverse shot from behind Sophia: Cole Mercer (17, lean lacrosse build, shaggy medium-brown hair, hazel eyes, gray crewneck reading "WESTBOROUGH LACROSSE" across the chest) standing frozen in the open doorway holding a half-full glass of orange juice. Warm interior light haloing him. His expression: pure shock, mouth slightly open, eyes locked on Sophia. Caption box: "He looked exactly the same. He looked completely different."”
  13. #13“Dynamic mid-air shot of the glass tumbler slipping from Cole's fingers, frozen mid-fall above the wooden porch floor. Orange juice arcs out in droplets. Cole's hand still half-curled where the glass was. Watercolor motion lines trailing behind it. Late-afternoon golden light catching the falling glass.”
  14. #14“Dramatic close-up of the glass tumbler shattering on the wooden porch boards. Orange juice splashes outward. Bold hand-lettered manga sound effect "CRASH!" in jagged black letters across the panel. Two pairs of teen sneakers visible at the edges of the panel — one pair denim-cuffed (Sophia), one pair gray sweatpants (Cole). Late-afternoon golden light slanting across the porch.”
  15. #15“Two-shot of Sophia and Cole on the porch, both still frozen, the shattered glass between them. Cole's speech bubble, hollow: "What." Sophia's speech bubble, just as hollow: "No." Behind Cole, the warm-lit interior of the Mercer foyer is visible through the open doorway. Mood: time-stopped.”
  16. #16“Mrs. Mercer (kind suburban mom mid-40s, floral apron, drying her hands on a dish towel) appears behind Cole in the doorway, wearing a wide unwarned welcoming smile. She has not yet noticed the broken glass or the tension. Her speech bubble: "Cole, baby, language —" Then, brightening as she sees Sophia: "Oh my ***, you must be exhausted. Cole, honey, get out of the doorway. Look at her, she's frozen — sweetheart, come in, come in."”
  17. #17“Tight close-up of Sophia, jaw tight, voice carefully controlled. She is not moving from the porch. Her speech bubble, very deliberate: "Mrs. Mercer. Is your son the host." Caption box at the bottom: "Sophia did not come in."”
  18. #18“Mrs. Mercer's confused face in the doorway, smile faltering slightly. Cole half-visible behind her, still holding the broken stem of the orange juice glass. Mrs. Mercer's speech bubble: "What?" Sophia's tighter speech bubble from off-panel: "Is. Your son. Cole. The host." Mrs. Mercer's reply bubble: "Honey, we're both your hosts, the whole family is —"”
  19. #19“Cole steps forward into the doorway, finally speaking. His face is pale. The broken glass stem still in his fingers. His speech bubble, quiet: "Mom. We know each other." Mrs. Mercer's bubble, smile returning, missing the tone: "Oh! Oh, what a small world! From where, sweetheart?"”
  20. #20“Awkward silent beat — Sophia and Cole both looking anywhere but at Mrs. Mercer or each other. Mrs. Mercer's lingering pause-bubble: "From — ?" Then Sophia's flat speech bubble: "Camp. Theater camp." Mrs. Mercer's smile of recognition: "Oh, Cole, I told you, theater is a gateway —"”
  21. #21“Cole, urgent, finally cutting his mother off. Close on Cole's strained face, broken glass stem still in hand. His speech bubble: "Mom. You have to give us a second." Mrs. Mercer's softer bubble from off-panel: "Sophie, sweetheart, your suitcase, let me —" Cole's harder bubble: "Mom."”
  22. #22“Mrs. Mercer's smile finally falters for the first time. She looks between her son and the seventeen-year-old on her porch with the dawning expression of someone realizing the building is on fire. Her quiet speech bubble: "I'll, um. I'll be in the kitchen." Then to Cole, lower: "Two minutes." She turns away into the warm interior.”
  23. #23“Cole stepping out onto the porch and pulling the front door closed behind him, mostly. Glass crunches under his sneaker (small SFX "crk"). The light shifts — now they're alone in the cool October evening with copper maple leaves drifting around them. Sophia is still standing where she was, suitcase at her feet.”
  24. #24“Two-shot of Sophia and Cole on the dim porch. Both speak the same line, simultaneously, with twin speech bubbles: Sophia: "You didn't know." Cole: "You didn't know." A beat. Then a smaller third bubble from Sophia, very quiet: "I didn't know."”
  25. #25“Cole, gesturing helplessly. Speech bubble: "They didn't — they didn't tell me your last name. They said Sophia from California. There are a thousand Sophias from California." Sophia's bubble, sharp: "There aren't." Cole's bubble, quieter: "There are."”
  26. #26“Tight overhead close-up of Sophia. She has put her hand over her eyes. The wind is loud — visualized as faint motion lines in the watercolor wash. Somewhere off-panel a dog barks (small SFX "bark bark" in the corner). Caption box, italic, internal monologue: "I could sleep in the car. I could call my mother at three in the morning her time and tell her I **** sleeping in a car because four years ago at theater camp I told this boy he was a coward and he said something to me I have never told any”
  27. #27“Cole's face in three-quarter, pleading. His speech bubble: "Sophia, you have to — you have to come inside. It's forty degrees." Sophia's flat speech bubble: "I'm not coming inside." Cole's: "You're not sleeping outside." Sophia's smaller bubble: "Watch me." Cole, softer: "Sophia." Sophia's final bubble of the panel, weary not sharp: "You don't get to say my name."”
  28. #28“Low angle on the front door cracking open behind Cole. A small face appears at hip height — Maddie Mercer (12, single long brown braid, wide curious eyes, oversized faded t-shirt). She is clutching a fistful of half-eaten Halloween candy. Warm interior light haloing her from behind.”
  29. #29“Tight close-up of Maddie peering up at Sophia, candy fistful held protectively to her chest. Her speech bubble, matter-of-fact: "Are you the California one?" Sophia's stunned blank-stare reaction in a smaller inset frame in the corner.”
  30. #30“Maddie standing fully on the porch now, candy still in hand, addressing Sophia with the seriousness of a small ambassador. Her speech bubble, all in one breath: "I'm Maddie. I'm twelve. Mom said I get to be the buffer. Because she said you and Cole would probably need a buffer. She said sometimes seniors don't get along right away and they need someone they can both be nice to. I'm being the buffer. I have candy." She extends the candy.”
  31. #31“Quiet beat. Sophia, after a long moment, reaches out and takes one piece of Halloween candy from Maddie's outstretched fist. Their hands meet in the middle of the panel. Behind them, Cole watches silently, just outside the frame, only his shoulder and the edge of his gray crewneck visible. Maddie's small speech bubble: "Are you coming in?" Sophia and Cole exchange a glance — Sophia looks at Cole, Cole looks at the porch boards. Caption at bottom: "She came in."”
  32. #32“Wide overhead establishing shot of the Mercer dining room at evening. A wooden table set with four plates of spaghetti, a bowl of grated parmesan, garlic bread in a basket, glasses of water. Warm yellow kitchen lamplight. Around the table: Mr. Mercer (friendly suburban dad mid-40s, mid-****), Mrs. Mercer (still wearing her floral apron, bright smile), Maddie (kicking her feet against the chair leg), Sophia (Filipino-American teen, denim jacket, not eating, fork in hand), Cole (gray crewneck, hea”
  33. #33“Mr. Mercer mid-sentence, gesturing with his fork. His speech bubble: "...so the new branch manager — and I told her, listen, you cannot run a Westborough portfolio out of a Worcester mindset, that's just a fact —" Caption box at the top, italic: "Mr. Mercer talked about his work at a bank."”
  34. #34“Mrs. Mercer mid-sentence, beaming. Her speech bubble: "...and the spaghetti recipe is from Linda — you remember Linda from church — and her daughter Kate just got engaged, can you believe it, to that boy from the youth group —" Caption box at the bottom, italic: "Then about the church friend. Then about the church friend's daughter. Then about the engagement."”
  35. #35“Tight close-up of Maddie across the table, kicking her feet against the chair leg, watching Sophia with the unblinking intensity of a small biologist studying a new species. A single piece of spaghetti hangs unnoticed from her fork. Soft SFX in the corner: the rhythmic "thunk... thunk... thunk..." of her foot hitting the chair leg.”
  36. #36“Tight close-up of Cole's hand on the table. His phone, face-down, buzzes against the wood (small SFX "bzzt bzzt"). His knuckles tighten. He flips the phone face-down again with his thumb. The phone buzzes a second time. He flips it again. Cole's face is not visible — only his hand and the buzzing phone.”
  37. #37“Mrs. Mercer leaning toward Cole at the table, concerned. Her speech bubble: "Sweetheart, is everything okay?" Cole's flat speech bubble, eyes still down: "It's Hannah." Across the table Sophia's fork pauses halfway to her mouth, her eyes flicking up.”
  38. #38“Mrs. Mercer turning to Sophia with the brightest smile of the evening, completely unaware. Her speech bubble, warm and informative: "Cole's girlfriend. Lovely girl. You'll love her. They've been together since — when, honey? Sophomore year?" Cole's flat speech bubble: "Sophomore year." Sophia's tight, perfectly composed speech bubble: "Lovely." Mrs. Mercer's bubble: "You'll meet her tomorrow! She comes over for breakfast on Saturdays. It's a tradition." Sophia's bubble, just as flat: "Cool."”
  39. #39“Cole standing up abruptly, pushing his chair back, phone in hand. Speech bubble: "I'm gonna take this. Excuse me." Mr. and Mrs. Mercer watching him with mild surprise. Maddie chewing thoughtfully. Sophia carefully not looking. The back door visible in the background as Cole heads toward it.”
  40. #40“Maddie leaning all the way across the table toward Sophia, her braid swinging into her plate, in a comically loud "stage whisper" — speech bubble drawn with jagged dotted edges: "She doesn't know about you yet." Mrs. Mercer's hissed off-panel reprimand bubble: "Maddie, eat your spaghetti." Maddie's defiant follow-up: "I'm just saying —" Mrs. Mercer's sharper: "Maddie."”
  41. #41“Mrs. Mercer turning to Sophia with a brand-new bright smile, recovering the conversation. Her speech bubble, cheerful: "So! Let me tell you about the upstairs." Sophia's polite small bubble: "Okay." Mrs. Mercer launching in: "The guest room is right next to Cole's. You'll love it — it has the prettiest window. Maddie's at the other end of the hall."”
  42. #42“Continuation. Mrs. Mercer with the same pleasant smile, completely missing the bomb she is about to drop. Her speech bubble, conversational: "And there's a little Jack-and-Jill between your room and Cole's. You two will share."”
  43. #43“Tight close-up of Sophia's face. Her fork frozen halfway to her mouth. Her warm brown eyes very wide. The spaghetti slides off her motionless fork in slow motion. Her speech bubble, perfectly controlled despite everything: "I'm sorry. What."”
  44. #44“Mrs. Mercer (kind suburban mom mid-40s, floral apron, drying her hands on a dish towel) appears behind Cole in the doorway, wearing a wide unwarned welcoming smile. She has not yet noticed the broken glass or the tension. Brightening as she sees Sophia, she speaks warmly. Only ONE speech bubble in the panel — Mrs. Mercer: "Oh my ***, you must be exhausted. Cole, honey, get out of the doorway. Look at her, she's frozen — sweetheart, come in, come in." Do not show any other dialogue or speech bubb”
  45. #45“Four-panel page, read in standard left-to-right top-to-bottom order. The dialogue must flow in this exact sequence: Panel 1 (top-left): Medium shot — Cole Mercer (17, lean, shaggy medium-brown hair, gray crewneck reading WESTBOROUGH LACROSSE) steps forward into the suburban doorway, pale and tense, broken orange-juice glass stem still in his fingers. Warm late-afternoon sun behind him. Manga SFX "THUD" on the wooden floor as his foot lands. No speech bubble in this panel. Panel 2 (top-right): Cl”
  46. #46“Character bible (strict, use exactly): Sophia Reyes — 17, Filipino-American, shoulder-length dark wavy brown hair (NOT long, NOT very curly, NOT below shoulders), warm brown eyes, wearing a denim jacket over a cream cable-knit sweater and dark blue jeans, plain small stud earrings (NO drop earrings, NO dangling earrings, NO necklaces). Cole Mercer — 17, lean lacrosse build, shaggy medium-brown hair, hazel eyes, wearing a gray crewneck reading "WESTBOROUGH LACROSSE" with crossed lacrosse sticks l”
  47. #47“Character bible (strict, use exactly): Sophia Reyes — 17, Filipino-American, shoulder-length dark wavy brown hair (NOT long, NOT very curly, NOT below shoulders), warm brown eyes, wearing a denim jacket over a cream cable-knit sweater and dark blue jeans, plain small stud earrings (NO drop earrings, NO dangling earrings, NO necklaces). Cole Mercer — 17, lean lacrosse build, shaggy medium-brown hair, hazel eyes, wearing a gray crewneck reading "WESTBOROUGH LACROSSE" with crossed lacrosse sticks l”
  48. #48“Character bible (strict, use exactly): Sophia Reyes — 17, Filipino-American, shoulder-length dark wavy brown hair (NOT long, NOT very curly, NOT below shoulders), warm brown eyes, wearing a denim jacket over a cream cable-knit sweater and dark blue jeans, plain small stud earrings (NO drop earrings, NO dangling earrings, NO necklaces). Cole Mercer — 17, lean lacrosse build, shaggy medium-brown hair, hazel eyes, wearing a gray crewneck reading "WESTBOROUGH LACROSSE" with crossed lacrosse sticks l”
  49. #49“Character bible (strict, use exactly): Sophia Reyes — 17, Filipino-American, shoulder-length dark wavy brown hair (NOT long, NOT very curly, NOT below shoulders), warm brown eyes, wearing a denim jacket over a cream cable-knit sweater and dark blue jeans, plain small stud earrings (NO drop earrings, NO dangling earrings, NO necklaces). Cole Mercer — 17, lean lacrosse build, shaggy medium-brown hair, hazel eyes, wearing a gray crewneck reading "WESTBOROUGH LACROSSE" with crossed lacrosse sticks l”
  50. #50“Setting bible (strict, use exactly): Mercer family DINNER scene. NIGHT outside (dark sky, lights from neighboring houses across the street — NO morning light, NO bright sun, NO daytime green trees through windows). Interior of a warm suburban DINING ROOM (not a study, not a library, not a school office — no big bookshelves, no diploma certificates dominating the wall). A rectangular wooden dining table with five places set, plates of spaghetti with red sauce in front of each person, glasses of w”
  51. #51“Setting bible (strict, use exactly): Mercer family DINNER scene. NIGHT outside (dark sky, lights from neighboring houses across the street — NO morning light, NO bright sun, NO daytime green trees through windows). Interior of a warm suburban DINING ROOM (not a study, not a library, not a school office — no big bookshelves, no diploma certificates dominating the wall). A rectangular wooden dining table with five places set, plates of spaghetti with red sauce in front of each person, glasses of w”
  52. #52“Setting bible (strict, use exactly): Mercer family DINNER scene. NIGHT outside (dark sky, lights from neighboring houses across the street — NO morning light, NO bright sun, NO daytime green trees through windows). Interior of a warm suburban DINING ROOM (not a study, not a library, not a school office — no big bookshelves, no diploma certificates dominating the wall). A rectangular wooden dining table with five places set, plates of spaghetti with red sauce in front of each person, glasses of w”
  53. #53“Setting bible (strict, use exactly): Mercer family DINNER scene. NIGHT outside (dark sky, lights from neighboring houses across the street — NO morning light, NO bright sun, NO daytime green trees through windows). Interior of a warm suburban DINING ROOM (not a study, not a library, not a school office — no big bookshelves, no diploma certificates dominating the wall). A rectangular wooden dining table with five places set, plates of spaghetti with red sauce in front of each person, glasses of w”
  54. #54“Setting bible (strict, use exactly): Mercer family DINNER scene. NIGHT outside (dark sky, lights from neighboring houses across the street — NO morning light, NO bright sun, NO daytime green trees through windows). Interior of a warm suburban DINING ROOM (not a study, not a library, not a school office — no big bookshelves, no diploma certificates dominating the wall). A rectangular wooden dining table with five places set, plates of spaghetti with red sauce in front of each person, glasses of w”
  55. #55“Setting bible (strict, use exactly): Mercer family DINNER scene. NIGHT outside (dark sky, lights from neighboring houses across the street — NO morning light, NO bright sun, NO daytime green trees through windows). Interior of a warm suburban DINING ROOM (not a study, not a library, not a school office — no big bookshelves, no diploma certificates dominating the wall). A rectangular wooden dining table with five places set, plates of spaghetti with red sauce in front of each person, glasses of w”
  56. #56“Setting bible (strict, use exactly): Mercer family DINNER scene. NIGHT outside (dark sky, lights from neighboring houses across the street — NO morning light, NO bright sun, NO daytime green trees through windows). Interior of a warm suburban DINING ROOM (not a study, not a library, not a school office — no big bookshelves, no diploma certificates dominating the wall). A rectangular wooden dining table with five places set, plates of spaghetti with red sauce in front of each person, glasses of w”
  57. #57“Setting bible (strict, use exactly): Mercer family DINNER scene. NIGHT outside (dark sky, lights from neighboring houses across the street — NO morning light, NO bright sun, NO daytime green trees through windows). Interior of a warm suburban DINING ROOM (not a study, not a library, not a school office — no big bookshelves, no diploma certificates dominating the wall). A rectangular wooden dining table with five places set, plates of spaghetti with red sauce in front of each person, glasses of w”
  58. #58“Setting bible (strict, use exactly): Mercer family DINNER scene. NIGHT outside (dark sky, lights from neighboring houses across the street — NO morning light, NO bright sun, NO daytime green trees through windows). Interior of a warm suburban DINING ROOM (not a study, not a library, not a school office — no big bookshelves, no diploma certificates dominating the wall). A rectangular wooden dining table with five places set, plates of spaghetti with red sauce in front of each person, glasses of w”
  59. #59“Setting bible (strict, use exactly): Mercer family DINNER scene. NIGHT outside (dark sky, lights from neighboring houses across the street — NO morning light, NO bright sun, NO daytime green trees through windows). Interior of a warm suburban DINING ROOM (not a study, not a library, not a school office — no big bookshelves, no diploma certificates dominating the wall). A rectangular wooden dining table with five places set, plates of spaghetti with red sauce in front of each person, glasses of w”
  60. #60“Setting bible (strict, use exactly): Mercer family DINNER scene. NIGHT outside (dark sky, lights from neighboring houses across the street — NO morning light, NO bright sun, NO daytime green trees through windows). Interior of a warm suburban DINING ROOM (not a study, not a library, not a school office — no big bookshelves, no diploma certificates dominating the wall). A rectangular wooden dining table with five places set, plates of spaghetti with red sauce in front of each person, glasses of w”
  61. #61“Setting bible (strict, use exactly): Mercer family DINNER scene. NIGHT outside (dark sky, lights from neighboring houses across the street — NO morning light, NO bright sun, NO daytime green trees through windows). Interior of a warm suburban DINING ROOM (not a study, not a library, not a school office — no big bookshelves, no diploma certificates dominating the wall). A rectangular wooden dining table with five places set, plates of spaghetti with red sauce in front of each person, glasses of w”
  62. #62“Setting bible (strict, use exactly): Mercer family DINNER scene. NIGHT outside (dark sky, lights from neighboring houses across the street — NO morning light, NO bright sun, NO daytime green trees through windows). Interior of a warm suburban DINING ROOM (not a study, not a library, not a school office — no big bookshelves, no diploma certificates dominating the wall). A rectangular wooden dining table with five places set, plates of spaghetti with red sauce in front of each person, glasses of w”
  63. #63“Setting bible (strict, use exactly): Mercer family DINNER scene. NIGHT outside (dark sky, lights from neighboring houses across the street — NO morning light, NO bright sun, NO daytime green trees through windows). Interior of a warm suburban DINING ROOM (not a study, not a library, not a school office — no big bookshelves, no diploma certificates dominating the wall). A rectangular wooden dining table with five places set, plates of spaghetti with red sauce in front of each person, glasses of w”
  64. #64“Setting bible (strict, use exactly): Mercer family DINNER scene. NIGHT outside (dark sky, lights from neighboring houses across the street — NO morning light, NO bright sun, NO daytime green trees through windows). Interior of a warm suburban DINING ROOM (not a study, not a library, not a school office — no big bookshelves, no diploma certificates dominating the wall). A rectangular wooden dining table with five places set, plates of spaghetti with red sauce in front of each person, glasses of w”
  65. #65“Setting bible (strict): Mercer family DINNER scene. NIGHT outside (dark sky, lights from neighboring houses across street — NO daytime, NO bright sun). Interior of a warm suburban dining room (NOT a study, NOT a library). Rectangular wooden dining table, five places set, spaghetti plates with red sauce, glasses of water, bread basket, warm yellow overhead pendant lamp. Characters at the table (5 total): - Mr. Mercer (40s, dark wavy hair, green button-down shirt) — head of table - Mrs. Mercer (40”
  66. #66“Setting bible (strict): Mercer family DINNER scene. NIGHT outside (dark sky, lights from neighboring houses across street — NO daytime, NO bright sun). Interior of a warm suburban dining room (NOT a study, NOT a library). Rectangular wooden dining table, five places set, spaghetti plates with red sauce, glasses of water, bread basket, warm yellow overhead pendant lamp. Characters at the table (5 total): - Mr. Mercer (40s, dark wavy hair, green button-down shirt) — head of table - Mrs. Mercer (40”
  67. #67“Setting: QUIET DINNER SCENE in progress. The Mercer family is sitting at their rectangular wooden dining room table eating spaghetti. NIGHT outside. Warm overhead pendant lamp. This is a STATIC, calm dinner moment — nobody is leaving the table, nobody is running, nobody is calling anybody, no doors opening or slamming, no sound effects of motion (NO WHOOSH, NO SLAM, NO DASH, NO running). The scene is purely indoor and quiet except for one small whispered exchange. People at the table: - Mr. Merc”
  68. #68“A meteor crahes into there roof”
Art Style: Watercolor Anime
Color Mode: Full Color
Panels: 68
Created: